Movie List 2025
Every year, I try to compile a list of games, books, and movies I experienced. For the complete list, check the Ratings. Here we go (sorted by rating then alphabetically)!
NOTE: I believe this list is the one that is mostly incomplete. I will probably make additions to it time to time.
- Anora (): My pick for the best movie of the year. The actress shows drama, comedy and sexuality.
- Conclave (): Superb performances. Tense with a plot twist.
- I'm Still Here (): The Brazilian movie about dictatorship from 70s. In other words: modern as ever.
- Im not a Robot (): Amazing short movie about the consequences of a CAPTCHA.
- Prisoners (): A dark and haunting exploration of morality and justice, with powerhouse performances and a gripping narrative
- Star Wars The Empire Strikes Back (): The only movie from the saga that I did not have a VHS to watch 1000 times. It’s really good, even for today’s standards.
- The Brutalist (): A visually stunning drama. An intersection of architecture, history, and personal resilience. Brody is Oscar-worthy.
- The Day the Earth Stood Still (): Cold War sci-fi at its most elegant. A film that trusts its message enough not to shout it.
- The Princess Bride (): I was told time after time that is goofy but memorable movie. I cannot agree more.
- The Skin I Live In (): Almodovar delivers one plot twist after another.
- What We Do in the Shadows (): A group of vampire friends with humor and absurdity in the best Monty Python style. I always like Taika Waititi’s directing and acting style.
- A Quiet Place Day One (): The origins story.
- After Hours (): One of the earlier Martin Scorsese movies, it’s a darkly comedic odyssey of unpredictability of a single chaotic night.
- Dredd (): Lean, mean, and criminally underrated. Karl Urban never lifts the helmet and never needs to. The platonic ideal of a B-movie that knows exactly what it is.
- Full Metal Jacket (): I’m definitively not a fan of Kubrick style.
- Identity (): A psychological thriller filled with plot twists.
- Scarface (): Excess, ambition, and violence in pure De Palma style. Iconic, but its length and melodrama can test patience.
- The Apprentice (): If you already dislike Donald, it will just reinforce your vision. If you like him, it’s time to change sides.
- The Substance (): Its visuals insist on sensations: desire, disgust, wants. It’s a mix of social criticism and B-movie horror.
- Thief 1981 (): A gritty heist drama with existential undertones
- Wicked (): Ariana Grande is really well. All the rest, passable.
- Déjà Vu (): The premise of seeing the past “in real time” is interesting. Once you get past that, it gets silly.
- Kiss Kiss Bang Bang (): Sharp, self-aware neo-noir with crackling dialogue. Underrated at the time, still a fun ride.
- You Were Never Really Here (): The film itself is more mood than movie.
- Emilia Pérez (): 13 nominations? It’s a boring movie, the songs are bad and forgettable (not to mention the ASMR presence). Unfortunately, it was caught in pointless controversies.
- Ghost In The Shell (2017) (): Scarlett’s version is substantially more confusing and less engaging than the original animation. Only worth it if you’re marathoning both.
- Mountainhead (): Ambitious ideas buried under murky execution.
- The Day the Earth Stood Still 2010 (): A fraction from the original.
- Crimes of Future 1958 (): Cronenberg’s embryonic vision, interesting only as an artifact.
Documentaries
- Incident (): A tense, meticulously assembled account that lets footage speak louder than commentary. Unsettling in the best documentary tradition.
- The Elephant Whisperers (): Quietly beautiful. It says more about humanity than wildlife.
- I am Ready Warden ()I am Ready Warden (): Sobering and humane, but struggles to find a fresh angle on familiar ground.
- The Only Girl in the Orchestra ()The Only Girl in the Orchestra (): You leave admiring the film, not the subject.
Animations
- Robot Dreams (): Beautiful, interesting, and moving.
- Wander to Wonder (): 9 great short stop motion animation.
- Ghost In The Shell (): Visual and thought-provoking spectacle. But it’s not easy to understand everything it proposes. A classic I had already watched in 2009.
- In the Shadow of the Cypress (): 8 post-traumatic stress disorder
TV Shows
- Adolescence (): Four single-take episodes that hit like a gut punch. Devastating, precise, and impossible to shake.
- The Last of Us (S1) (): Faithful where it matters, inventive where it dares. Episode 3 alone justifies the whole season.
- 24 (S1) (): Real-time tension that still holds up. Jack Bauer’s first day remains a masterclass in procedural propulsion.
- Murderbot (S1) (): A lovably anxious killing machine just wants to watch TV shows. Charming adaptation that nails the voice if not always the pace.
- Senna (2024) (): A series that is neither a documentary nor a work of fiction. And it’s average at both. Entire plots of no importance.
- Severance (S2) (): The mystery deepens but the momentum stalls. Gorgeous and maddening in equal measure — not always intentionally.
- The Last of Us (S2) (): Ambitious but overstretched. Loses the intimate focus that made S1 special, trading earned emotion for sprawling setup.


